March 29, 2008
Lucky Cheng’s Drag Caberet: Dinner, Drinks, Banter, and All That Drags

by Denise Almas
Enter the world of Lucky Cheng’s Drag Queen Capital for dinner, drinks, banter and “all that drags”. This dinner theater offers a vibrant and unique dance, dining, and service experience. Though what happens in Vegas may stay in Vegas, Miss Conception, the show’s master of ceremonies, and her lovely ladies will give you an experience worthy of writing home about.
As you enter the small dinner theater, you will find a very relaxed, casual atmosphere with a stage, tables and small booths complete with red pillows. The servers will greet you with either a smile or a snort depending on their mood and bring your drinks as soon as possible. Though the show has not formally started, the queens are already performing as you arrive. Their service is part of the show, and they enjoy posing for pictures and attending to your needs. Miss Conception will greet you at your table and attempt to learn as much as she can about you, as audience participation is a key ingredient of this show’s appeal and success. Though the queens enjoy an engaged and rowdy crowd, they seem to anticipate and appreciate the boundaries of individual guests.
While waiting for the actual performances, you will enjoy a small but outstanding Asian buffet prepared by five star chef, Ken Huff. The quality of the buffet itself is worth the price of admission. After audience members have enjoyed the buffet, the show itself starts promptly at 7 p.m. Each queen gives high energy dance and lip synching performances in outrageously appropriate costumes. Make sure you have plenty of dollar bills as the queens work harder with each dollar an audience member may stuff into the performer’s attire. As Miss Conception said, “It costs a lot of money to look so cheap”.
The banter, as well as the show, thrives on adult-oriented humor that may be shocking to some. Miss Conception is quick witted and never misses a beat, creating laughter by lightly picking on herself, the queens, as well as willing audience members. Larger parties seem to earn a name from Miss Conception. One table of gentlemen were affectionately referred to as the “meat market”, and the queens gazed at them with adoring eyes.
Though this show may seem a bit tawdry, and at times it is, these queens are serious about their work and seek to make your experience a positive one. If you are looking for an evening of laughter, music, and pure enjoyment, these sweet transvestites will certainly deliver. So, bring your camera and enjoy the show!
Lucky Cheng’s is located at The Krave Theater at Planet Hollywood, across from the Harley Davidson Cafe. Doors open at 4 p.m. for drinks and the buffet. This is a great place for bachelorette or birthday parties and reservations should be made in advance. Free valet parking is available directly in front of the theater.




by Mara M. Mannella
As the audience laughs at (and with!) Rita as she shares chapters of parenthood and everyday life in Las Vegas one thing becomes apparent as you look around the theater. Pokes and pointed fingers of spouses, family members and friends are everywhere as the audience sees some of themselves in these situations! The seats filled with families, couples, tourists and locals prove this show has mass appeal.
Phantom – The Las Vegas Spectacular at The Venetian beautifully unfolds the story of Christine Daae and The Phantom of the Opera. During this classic tale of love and heartbreak the audience watches as Christine struggles to move past the loss of her father while becoming entranced by The Phantom, whom she calls “the angel of music.” The Phantom begins terrorizing members of the cast and crew when he realizes that Christine has fallen in love with another man. His revenge is taken in the form of murder and a shattered chandelier.
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So is “Spamalot” simply an adaption of the film? Monty Python fans know that nothing is ever as it seems when it comes to comedy, and to always expect the unexpected. While “Spamalot” lifts primarily from the original film, it also serves up a buffet of classic Python songs from past “Flying Circus” skits, and includes them into the story in clever and seamless ways. The rest of the production adds new extended scenes into the story that fit well with the absurd sense of humor the film is known for.
Leading the cast of “Spamalot” is John O’Hurley (of “Seinfeld” fame) as King Arthur. All of the “Holy Grail’s” s befuddled Knights of the Round Table are present to continue their awkward search for the lost relic, as well as some new characters, such as the show stealing, divaesque Lady of the Lake with her “huge tracts of land”, and her backup “Laker Girl” dancers. Never fear, Python fans: The taunting Frenchmen, the Black Knight and the Killer Rabbit are all here too. The ensemble cast provide a solid and hilarious performance, gleefully bouncing back and forth between the story, and breaking the fourth wall to remind the audience that they are watching a stage musical set in Las Vegas.
Housed in an intimate theatre, there really isn’t a bad seat in the venue, unless stage-shy attendees are seated just off the stage. This “danger zone” provides Brady, as well as his improv partner Jonathan Mangum, a proficient performer in his own right, the pick of the litter when summoning audience members to the stage to take part in an act, whether they like it or not. Be warned, if he calls you up to the stage, you may find it difficult to decline, especially when egged on by your fellow (often drunken) tourists. If you’d rather avoid the risk of center stage humiliation, select a seat a little further back, where you may safely and anonymously shout out improv suggestions while avoiding a possible coerced participation.





While not lavish, the production makes effective use of handsome, movable sets, as well as many eye-catching costume designs. The latter, while not inappropriate or cheesy, manages to show each performer off to best advantage, thereby reinforcing the theme that older truly does mean better for these gals, and anyone willing to embrace the show’s fun-loving theme. You can’t help but leave HATS! smiling in response to all the positive philosophy delivered via catchy tunes and clever lyrics.